Culturecrypt.com Website Review

“Warning: Do Not Play” is such a straightforwardly streamlined little haunter, it doesn’t leave a lot to really dig into with Bundled with the redundant beats of Wade and Lisa’s meager “adventure,” the film tires out its audience like we’re the ones The film plays like a “Law and Order: Criminal Intent” two-parter or similarly pedestrian police procedural that’s been tamed down to Rather than resulting in David Lynchian disorientation, “Dreamland’s” jargon juggles a bunch of jumbled pieces that make “Becky” becomes a twisted take on “Home Alone,” if Kevin’s kooky traps resulted in brutal bloodbaths and torn body parts. People like labeling anthologies as “mixed bags,” but the treats in this one are all coated with the same plain milk chocolate. “The Soul Collector” doesn’t have enough heat in its beat to breathe pulsating life into its spectacular but static shell. In the event I am responsible, even partly or incidentally, I apologize for any role I may have had in “Ouija Shark’s” birth. The movie’s unique backdrop combines with eye-catching slices of splatter to produce an intriguing standout in undead entertainment. “Apokolips War” isn’t much of a ‘Justice League Dark’ story at all, but rather a “dark” Justice League movie appropriating the “Body Cam” isn’t just the routine police procedural I feared it would be. It’s a routine supernatural spookshow too. It’s a movie loaded with hijinks, heroics, humor, and a little horror that can etch ear-to-ear smiles on Scooby fans of all ages. For tolerant types curious to taste what some unknown filmmakers are up to in the micro-indie horror space, “The Source of Shadows” Rod Serling would appreciate “The Vast of Night’s” suspenseful smolder dripping down an Americana backdrop. More than likely, Galligan shot his sixty seconds of screen time in the same span it took to order and receive a pizza Galligan probably didn’t stick