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According to game's designer Richard Lemarchand, the Tibetan village in the game was inspired by the 2008 video game The Graveyard developed by Tale of Tales. The game's title affected him a lot more than he expected, with its simple experience of leading a I thought that in the same way that The Graveyard had created a space for me where I could reflect, so could our village. Near the scouter entries for Android #18 in the ROM are unused scouter entries for Android #13, Android #14, Android #15 and Super Android to the clips being similarly sped-up versions of the same stock laugh sound effect. Six months after the American release of Super Paper Mario, American film director, producer, and screenwriter Seth Gordon, who's most recent works include the Pixels movie, had interest adapting a movie based on Super Paper Mario. Gordon was quoted saying, I'd love, really love, to adapt Super Paper Mario into a movie, a movie that would constantly switch from 2D to 3D. In five years, 3D cinema is going to be really big. Gordon however specified that he never had the chance to speak with Nintendo about his envisioned project, so his The art of Super Mario Odyssey reveals that Rosalina was going to appear in the game as a non-playable-character in casual attire with a guitar. The book also reveals several unused outfits for Mario, such as the green Sprixie Princess from Super Mario 3D world, a Toadette costume, a costume of a Luma from Super Mario Galaxy, and a costume of Mario in a Japanese school gi*l outfit. During the game's opening cut scene, multiple cuts of Peach on the airst*ip seem to have an error where the texture for her earrings use the texture for her eyes. This mistake is seemingly fixed from her first close-up onward. •The Pikachu master trainer Las* Iuke is a reference to voice actress Ikue Otani who voices Pikachu in the Pokemon anime. •The Eevee master trainer Las* Aoi is a reference to Aoi Yūki, the voice actress for Eevee in the game.